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Wednesday, 22 February 2017

Why Keep it a Secret


Edwin Deady, who maintains the fascinating website Dark Age Boats, recently posted the following comment to one of my posts. Rather than having it languish there in the Comments section where only a few dedicated readers will see it, I thought it worthwhile to repost it here for greater visibility:
"May I pose a question about the reproduction and use of indigenous boats? Some builders seem reluctant to share plans other than with the indigenous group for whom they are build, see http://www.applegateboatworks.com/coastal.html for example. Now I am not criticising their particular stance and had a very friendly and helpful email on construction details from them but I do wonder what point is served by exclusivity. The same is seen in the singing of some traditional songs where I have even heard a performer say that they had sought permission from a Council of Elders before singing to a non-ethnic audience. If all of my culture is available to the World, you play football everywhere and paddle coracles where you will, why should not the same apply to indigenous boats from other countries?"

I can understand why a group of reenactors or serious academics might want to hide technical aspects of work in progress: so that they can claim credit for new insights and/or gain the glory of a "first." But I agree with Edwin that, once they've introduced their glorious reproduction, there seems to be little reason to hold the information as proprietary. I also question why people of any given culture should attempt to restrict access to elements of their culture's artistic expressions: it seems like the fruits of a parochial worldview, to say that this or that culturally distinctive activity is what separates us (i.e., makes us better than) everyone else.

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